About Marie BenedictMarie Benedict is a lawyer with more than ten years' experience as a litigator at two of the country's premier law firms. She found her calling unearthing the hidden historical stories of women. Her mission is to excavate from the past the most important, complex and fascinating women of history and bring them into the light of present-day where we can finally perceive the breadth of their contributions as well as the insights they bring to modern day issues.
She embarked on a new, thematically connected series of historical novels with THE OTHER EINSTEIN, which tells the tale of Albert Einstein's first wife, a physicist herself, and the role she might have played in his theories. The next novel in this series is the USA Today bestselling CARNEGIE'S MAID -- which released in January of 2018. The book that followed is the New York Times bestseller and Barnes & Noble Book Club Pick THE ONLY WOMAN IN THE ROOM, the story of the brilliant inventor Hedy Lamarr, which published in January of 2019. In January of 2020, LADY CLEMENTINE, the story of the incredible Clementine Churchill, was released, and became an international bestseller. Her next novel, the Instant NYTimes and USAToday bestselling THE MYSTERY OF MRS. CHRISTIE, was published on December 29, 2020. Her first co-written book with the talented Victoria Christopher Murray, the instant NYTimes bestseller and Good Morning America Book Club Pick THE PERSONAL LIBRARIAN, was released on June 29, 2021. Her latest novel, HER HIDDEN GENIUS, is about the brilliant British scientist Rosalind Franklin who discovered the structure of DNA but whose research was used without her permission by Crick and Watson to win the Nobel Prize. And, in January of 2023, she released the bestselling THE MITFORD AFFAIR, which explores the role that history's most notorious sisters -- the beautiful, brilliant, eccentric Mitfords -- played in the rise of World War II, both for and against the Nazis. In June of 2023, she published her next co-written novel with Victoria Christopher Murray, the instant NYTimes bestseller and Target Book of the Year THE FIRST LADIES. Writing as Heather Terrell, Marie also published the historical novels The Chrysalis, The Map Thief, and Brigid of Kildare. Marie's novels have been translated into twenty-nine languages. |
An Exclusive Interview with Marie Benedict
What’s the best thing about being a writer?
As a child, I always adored books in which the characters found a doorway to the past and got to lose themselves in another time and place. I wanted to be those characters. Now, as a writer, I get to fulfill that childhood fantasy of traveling to the past by walking through the doorway of my fiction.
How do you get inspired to write?
Because my writing focuses on the untold stories of women throughout history, the inspiration for my writing usually comes from historical research and reading that I undertake regularly. Once I dig into the research, I operate almost like a archaeologist, unearthing the story from the detritus of history where it was buried. That said, sometimes I find my heroines elsewhere — in newspapers and magazines, on the blue historical plaques on the side of buildings. In the failure to mention women where I know they are, even from readers.
As a child, I always adored books in which the characters found a doorway to the past and got to lose themselves in another time and place. I wanted to be those characters. Now, as a writer, I get to fulfill that childhood fantasy of traveling to the past by walking through the doorway of my fiction.
How do you get inspired to write?
Because my writing focuses on the untold stories of women throughout history, the inspiration for my writing usually comes from historical research and reading that I undertake regularly. Once I dig into the research, I operate almost like a archaeologist, unearthing the story from the detritus of history where it was buried. That said, sometimes I find my heroines elsewhere — in newspapers and magazines, on the blue historical plaques on the side of buildings. In the failure to mention women where I know they are, even from readers.